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Story of Camille Preaker, the young woman who left her small hometown years ago after she exposed to a series of bad events there. After many years, the newspaper where she works for tasks her to go to cover a murder occur in her hometown. But she doesn't know that she is about to remember a series of bad memories.
In another terrific episode that masterfully blends the shocking past with the foreboding present, Dirt explores the pain, gossip and memories tormenting, namely, the women of Wind Gap.
Television has always loved its dead girls... But Sharp Objects feels different. Although we've yet to hear their voices or see them move amongst the living in any flashback, both these girls feel present.
The natural assumption in a murder mystery show is that the protagonist will gradually unravel clues until they discover the truth, but Camille's grip on the truth seems to be loosening, rather than the other way around.
We join our unlikely hero... um, our unlikely... uh... we join Camille Preeker in bed. Her memory is flashing between past and present, a disorienting experience that seems to plague her often.
We do love to look. And this is where Sharp Objects lives up to its title. There are lots of sharp objects, all causing pain, and director Jean-Marc Vallée turns our attention on to them with intense focus.