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Story of Camille Preaker, the young woman who left her small hometown years ago after she exposed to a series of bad events there. After many years, the newspaper where she works for tasks her to go to cover a murder occur in her hometown. But she doesn't know that she is about to remember a series of bad memories.
Like a "plump, juicy cherry" with a "dark, hard pit." "Cherry" shows us the way Wind Gap views and shapes its women, treating them like gorgeous confections and leaving them with dark, resentful hearts.
What comes across in "Cherry" is how the characters use words...When people speak, it's not so much the words they speak, but the tone and intent behind what they say.
What's fascinating is that Camille's old friends do have those resources, and some combination of inertia, fear and the pride they take in being at the top of the social order keeps them frozen in place.
Episode six is a mixture of great small details of crime and character interspersed between some scenes of the townsfolk socializing that felt too broad and clumsy to persuade me of their mob mentality.
"Cherry" is a powerhouse of an episode... It crackles and sings with such an astute understanding of mood it left me feeling as bruised as Camille does at the end.
Sharp Objects jettisons the completely linear, bird's-eye-view viewpoint we saw last episode on Calhoun Day to put us deeper than ever into Camille's masterfully edited, jittery, deteriorating mental state.