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The movie explores the life and machinations of the troubled movie producer Monroe Stahr (Robert DeNiro), who is hailed as a 'boy genius' during the studio system of 1930s Hollywood.
Interessante na maior parte do tempo, o filme acaba sendo prejudicado pela fraca subtrama romântica e pelo final medíocre (adaptar um livro inacabado pode ser má idéia).
February 05, 2004
Time Out
De Niro proves again how well he can carry a part, and is particularly good in scenes dealing with the day-to-day business of movie-making.
Out of place and not quite interesting enough to hold our attention, which is a disappointment, because it has many of the elements that can make for greatness.
The Last Tycoon is an intriguing entry to the period gangster genre that depicts the weight of triad influence in 1930s Shanghai at the cusp of war with an invading Japan.
Producer Sam Spiegel's contribution is admirable, but Elia Kazan's direction of the Pinter plot seems unfocussed though craftsmanlike. Robert De Niro's performance as the inscrutable boy-wonder of films is mildly intriguing.
The movie is full of echoes. We watch it as if at a far remove from what's happening, but that too is appropriate: Fitzgerald was writing history as it happened.
May 09, 2005
Chicago Reader
Elia Kazan now admits that he directed this adaptation, his last Hollywood film, for the money. Unfortunately, it looks it.