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In 1940s Los Angeles, Detective Tom Spellacy probes into the savage murder of a woman found dumped in an empty lot, not knowing that he will have to clash with his younger brother, a worldly ambitious monsignor.
Robert Duvall puts in a top-drawer performance in this crime drama mixing sleuthing and sacraments, crime and confession - one of the best films of 1981.
Two exciting, dangerous actors have little to do: Duvall spends too much time pacing and waiting; De Niro's big scene has him hanging up his vestments.
Quite simply it's one of the most entertaining, most intelligent and most thoroughly satisfying commercial American films in a very long time.
August 30, 2004
Fantastica Daily
An atmospheric, always-intriguing mystery that works equally well as a perceptive character study. One of the very best films of the 1980s.
October 21, 2005
Old School Reviews
Acting compensates for disappointing ending
February 02, 2007
Chicago Sun-Times
True Confessions contains scenes that are just about as good as scenes can be. Then why does the movie leave us disoriented and disappointed, and why does the ending fail dismally?
Des is another solitary soul, but perhaps he's the most subtle and accessible solitary De Niro has yet embodied -- a man whose isolation draws you closer instead of giving you the willies.