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As for the life of teenagers, this comedy, follows the every day movement of Hattie, a youthful brilliant and aspiring queer African American girl, who navigates through life, taking a shot at accomplishing her fantasies, through spending time with her closest companions, with whom she strives to accomplish their fantasies.
The show's a bit thin on the comedy end of things, often going for more of a hangout vibe than trying to sling jokes. Fortunately, there's strong enough chemistry among the three leads to make that approach work.
Gibbs and Brown possess an unmistakable chemistry that makes Twenties eminently watchable, if only because it appears to be on track to answer a question that thus far, no other show has: What happens when the #MeToo bogeyman is a black woman?
Gibbs' easygoing chemistry with each of her co-stars - including recurring player Kim Whitley, who plays Hattie's lonely mom - mean that the central trio make for believable besties from their very first scene together.
For the moment, Waithe's Twenties is fine, it gets by, but here's hoping it exceeds that to become the Black excellence Waithe believes she can deliver-and that her viewers deserve.