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The second season continues with more horror as Japanese Americans deal with these harsh conditions in their lives and may be forced to perform degrading practice during that period. On the other hand, Chester comes suddenly as he faces a man who forces him to question his exceptional nature. Meanwhile, Luz seems to be the sad girl who may be trying to make an important choice in her life.
Somewhat less intense experience than what I've seen of the first season with Jared Harris, but the franchise as a whole is proving a potent combination of what scares us in our imaginations and what should scare us in the world outside our windows.
Alexander Woo and Max Borenstein's new iteration of the Terror series, both thanks to its subject matter and supernatural apparitions lurking at the edges, is permeated by an ever-creeping sense of dread that proves undeniable.
Infamy movingly portrays how Executive Order 9066 turned whole American communities (including that of Infamy star - and series consultant - George Takei and his family in the '40s) into wartime casualties. Paranoia shrouds every interaction.
Infamy is most successful when it's exploring the ways in which these notions of "new" and "old"-birth country versus adopted home, nativists (or nationalists) versus immigrants, keeping cultural heritage alive versus assimilating-clash and overlap.
The well-balanced mix of family melodrama, ghost story, and politically astute historical commentary makes for captivating viewing, as does the high production quality and great character work
The Terror: Infamy not only lives up to the historical-horror fusion of The Terror, but it does a better job of fitting mythological elements into the wider story.
It has potential as a historical drama, illustrating a shameful period in American history with disturbing modern implications. It's too bad that annoying demon keeps getting in the way.