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The second season begins, as Greg worries that his previous meeting with Logan biographer will change course and change his situation with the family, especially as he may be at risk. On the other hand, it seems that Connor's presidential announcement enrages Logan greatly, and Roman begins a new training program related to the administration for six weeks in the department of Barcso. Roman may be angry when he tries to spend a lot of time doing these natural things.
The jockeying for favor can be devastating in its degradation, but also horribly amusing, with pungent writing and cunning performances that elevate familial blood sport to a profane art form.
The second season feels like a contemporary Shakespearean play with hints of Hamlet, King Lear, and even Macbeth which this show is really striving for.
The series may be a gripping family drama, but much of its power comes from a tendency to view that familial dysfunction from an angle that magnifies the show's darkly comedic sensibilities.
Armstrong's series blends genres smoothly, stretching out the propulsive slew of insults found in Armando Ianucci's political satire while trimming the fat from David Benioff and D.B. Weiss' bloated fantasy universe.
With Logan Roy fully operative, Season 2 of HBO's anti-wealth drama picks up right where it left off and dives even deeper into the dark pit of its central family.