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According to the excitement of that drama series that follows the daily activity of Theodore Hoffman, a smart successful lawyer, who takes on a murder case involved a young but alcoholism addicted actor. Season two begins with Ted travels to Europe to save his family.
The drama does have sparks and fireworks, the production is glossy and deluxe, and the first case is full of tantalizing complications even in its early stages.
Murder One is still magnificently filmed and framed -- if anything, it remains too luscious. But, in casting a hero for a big budget series which seeks to reflect the moral decline of the times, it has chosen better this time.
Murder One remains adult television of a high order. Producer Steven Bochco's sure hand is evident from the tough-minded writing and deft casting to the superlative music and photography.
The opening plot has some cracks, but none that can't be stepped over in an hour that is often transfixing and has you looking forward to the next episode.
By making [Anthony] LaPaglia a former D.A. who switches tables, Murder [One] offers a character who's as ambivalent about defense attorneys as most post-O.J. Americans are.