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Luther is on a leave of absence from the police force, laying low in a rundown cottage on the edge of England. But a visit from his old colleagues at the Met brings a shocking piece of news that draws him back to London in search of the truth. Meanwhile, a gruesome serial killer has struck the city. But this murdering mastermind is more than a match for the police, outsmarting them at every step. It’s not long before Luther is back in the Bullpen, determined to steal a march on the killer before it’s too late.
I hope that episode two slows things down. When you have a character as good as John Luther, and an actor playing him who basically is that man, it would be nice to spend a little more time in his company.
The middle of everything, Idris Elba was as good as he's ever been. Despite everything that's happened to him lately -- despite Marvel and Mandela and Beasts of No Nation -- I'd argue that Luther still represents Elba at his absolute best.
This is one overstuffed show. Previous installments have been at least a miniseries, and the truncated running time is probably a concession to Elba's schedule and success in big-budget films, but it cramps the story.
Luther: Outlaw has all the hallmarks that made the series stand out in the first place.
December 17, 2015
Morgan Jeffery
This new two-parter looks unlikely to reinvent the wheel, but for sheer entertainment value, there are still few drama series that can hope to match John's exploits.
In the end, as Luther walks toward the camera, his trademark trench coat, steely gaze, and a musical cue from The Cure the only accessories he needs, Luther is successful in that is leaves the audience hungry for more.