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This drama series follows the battles of a gathering of Nazi hunters, who live in New York during the 1970s, when they discover an extraordinary scheme held against humankind on the hands of a gathering of Nazis officials, who plan for making another Fourth Reich, what challenges them, as they go in a high quest to bring them to justice.
In a weird way, Hunters feels like an unintentional echo of HBO's Watchmen -- It remains to be seen if Hunters will capture the same kind of heartbreaking nuance and current relevance as that series did last fall.
It's a fast, frenetic show that's all over the place - emotionally, violently and conspiratorially. Its darkly humorous bent competes with its righteous sincerity.
At times, it embraces its B-movie style, making for a show that can be very clever and fun, but it's also exhausting, occasionally aggressive in its toxicity.
The show often doesn't seem aware of what it wants to be. It might be campy, pulpy, even absurdist at times, while taking a misaimed stab at drama at others, and being nauseatingly violent throughout.
Jonah is essentially Luke Skywalker and Meyer is Obi Wan; the neo-Nazi is Kylo Ren. The proposed Fourth Reich is the First Order, and Hunters is, regardless of its iffy ethics, Star Wars with the SS.
[T]he show is audacious, tonally complex, not always in control of its message, visually arresting, and, particularly in its grim flashbacks to the brutalities and the courage in the death camps, moving.
"Hunters" lives in a state of emergency, which necessitates action more than it mirrors reality. It's an effective, fictionalized premise, but one that's also dependent on the viewer being able to enjoy a particularly harsh blend of fact and fiction.
Hunters is such an enticing premise as to overcome its execution problems, at least for a while. But the tone of this Amazon series varies wildly, leaving behind a show that isn't bad, but which really should be a whole lot better.