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According to the excitement of that series that follows Carrie Mathison, a youthful keen and bold investigator, who has been sent to the anti terrorism center, in the wake of making an illicit mission, what challenges her, as she uncovers a scheme held against America. In this new season, Max battles against having a new mission.
My favorite part of the new season, honestly, might have been reflecting on how, after this lengthy Homeland journey, the character who has gravitated up the call sheet by virtue of sheer survival has been Maury Sterling's Max.
Overall the first four episodes made available for review plod along... But then, just as I'm about to write off this final season, something happens at the end of the fourth episode that pulls me right back in. Just like Carrie, I can't seem to let go.
Lesli Linka Glatter returns for the first two episodes... and, for as much credit as she rightly gets for her beautifully staged and tensely cut action sequences, the performances she evokes in a still or slightly shifting frame are incredible.
The first three episodes are a bit clunky, with Carrie's familiar pattern of alienating nearly everyone she meets kicking in again - and then Episode 4 comes along and "Homeland" finds its groove.