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The life of Jules Willy, a young girl, who falls in love with a young handsome guy for five years, has been changed completely, when her boyfriend left her once, so she feels alone and makes her mind to reconnect with her old friends.
Individually, these characters work fine, but together, they're a headache, and that's a problem when the whole point of the show is proving that girl squads - their words, not mine - can have each other's backs no matter what.
Ultimately, the series really works because of the strong performances. Anyone who has watched Kat Dennings knows she deserves a TV hit. She's a great everywoman trying to navigate the tricky landscape of female friendships in your twenties.
This is a great cast of women, trapped in a series made by a bunch of obviously talented people who will almost certainly go on to make smart, funny, daring, bold things. This isn't one of them.
Dollface could have been a fun, forgettable diversion, the kind of show meant to be watched as you fold laundry. But its approach to feminism, which it name-checks, strikes a sour note.
Every possible rough edge of gender, sexuality, race and class has been sanded off of these characters and this story. Yet Dollface stays consistently watchable and even its familiar punchlines often hit thanks to this cast.