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The drama talks about a series of daily tasks performed by dedicated judges, prosecutors and lawyers in their daily work. These lawyers work with bailiffs, employees and the police to get the opportunity to bring justice to the people of Los Angeles. It seems that all these lawyers will face a series of challenges amid an inefficient legal system.
All Rise could settle down and concentrate on the two people who make the show work - Missick and Helgenberger - but it is just as likely to become a generic courtroom drama that tries too hard to be funny.
As it stands, this courtroom drama has the feel of the kind of show CBS develops well, a lightly serialized episodic diversion structured around open-and-shut cases and carried by a solid lead.
All Rise at least tries to be entertaining, in the seriocomic earnest-meets-silly style of second-tier David E. Kelley. And there's a genuine star performance from Simone Missick.
Nothing you'll see rises to any level of must-see. Instead it's all pretty much preachy and pedestrian, with the diversity of the cast working against itself in terms of this show's labored approach to injustice and discrimination.
Its main conviction seems to be that judges should function not as neutral arbiters of the law but as assistants to defense lawyers and that empathy, rather than evidence, should govern judicial outcomes.