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At a wrecked world, the mayhem has spread over all spots. The remaining cities battle each other to get the rest of the assets. A young fellow from London, Tom, meets a youthful masked young lady, Hester, who is looking to execute Thaddeus Valentine, the man who killed her mom. By getting to know each other, they discover that they need to coordinate to settle the world not looking for behind murdering.
The plot is both daft and derivative, and the commonplace YA elements end up overtaking the welcome WTF moments by the end. But the world-building is spectacular and almost makes this worth the price of admission.
This big budget, effects-laden movie about a strange post-apocalyptic world where predator cities roll around on tank-like treads looks great, but the story of romance and revenge is just barely adequate.
This should've been amazing. Even the ending owes itself to another film...it feels like a bunch of movies we've seen before, that are better than this.
Visually, it's busy, hefty and propulsive, but emotionally and thematically, it's as light as air. These engines could have used a bit more in the tank.
One of the most impressive examples of "world building" in recent years, surpassing such contenders as Valerian, Cloud Atlas, and even the recent Star Wars episodes.