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Elegantly aimless direction of Julian Schnabel, who doesn't seem interested in deviating from the party line on van Gogh as a loner, a loon, a late bloomer and a lost cause.
At Eternity's Gate mainly succeeds, dusting off a century's worth of global celebrity to both animate a suffering soul and rescue a radical artistic mission from the museum gift shop.
Dafoe's elegiac quality hints at why the artist was ahead of his time: because he saw more than anyone else could. It's a towering performance in a movie that casts a magnetic spell.
With rich, convincing lead performances by Willem Dafoe and Oscar Isaac, the film breathes with a love of art and the toil it demands. Working with brilliant French cinematographer Benoit Delhomme, the film is an ever-pleasing swirl of style.
There have been many portrayals of Van Gogh onscreen. Part of what makes [Willem] Dafoe's interpretation so successful is his outright refusal to present him as a madman.
Dafoe adds another masterful performance to his resume; his work here is as deep and as piercing as his performance in "The Last Temptation of Christ" more than 30 years ago.