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Perhaps we are living here in a state of unfinished romanticism through a woman named Tish, a new Harlem woman who takes part in many challenges to prove her lover's innocence while carrying her first baby. Tish may be the woman who carries the meaning of determination and determination by seeking innocence for her lover. It is simply a celebration of love through the story of a young couple living in a struggle.
Jenkins performs a miracle avoiding bathos while baring raw emotion, presenting the cruelty of the world and its bitter fruit without dulling the love that makes living worthwhile.
This movie works as a timeless romance, a family drama, a legal thriller and a poignant social commentary. A great American novel has been turned into a great American film.
Just as the novel version of If Beale Street Could Talk moves between love story and protest novel, a balance Baldwin strikes throughout many of his works, Jenkins' adaptation uses flashbacks to oscillate between two worlds.
James Laxton's cinematography is even more richly hued than his work on Jenkins's Moonlight, and the sound design and Nicholas Britell's score add to the movie's brimming sensory pleasures.