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In this dramatic series, a real story is made about five teenagers who were convicted of rape but who did not commit it. This story occurred in the spring of 1989, when five colored children were arrested and charged with the heinous charge, in addition to questioning and forcing them to confess in a case they did not commit but who was committed by another person.
By the time it all wraps up Ava DuVernay's epic miniseries When They See Us delivers some of the filmmaker's most potent, unforgettable, and best work to date.
The story itself is overwhelmingly powerful. But there are several key decisions DuVernay makes that turns When They See Us into one of the year's, if not the decade's best, programs.
Taken as a whole, there's a lot to recommend When They See Us. It does as much as it can to recast the gaze on Black and brown people, eliciting empathy and the desire for justice.
There's a power to DuVernay's relative lack of interest in what made so many of the white people involved in this incident so abjectly horrible and wrong.
This is a work that wants viewers to see these people, and the fullness of their humanity, above everything else. What this means is a miniseries that's both profoundly rich and extraordinarily hard to watch.