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A series of dramatic and thriller events about a couple starting a deal that could change the course of their lives. Events begin when an idealist and her husband decide to make a heinous deal with a mysterious investor, putting their trust in the face of this notorious investor. The series revolves around multiple selections dealing with different ethical tales, mysterious personal paths, and the effect of rippling one decision other than the whole course of life.
The 10-part drama is also very addictive and you may well find yourself devouring episodes as if polishing off an extra large plate of chips even though you're already stuffed.
Had What/If been The Renee Zellweger Show, it would have been fantastic. As it stands, she's the only thing saving the series from terminal mediocrity.
Zellweger's primary role here is just to deliver lines deliciously. She not only succeeds in the task, but she turns it into a three-course banquet... She makes the best of what she's given - if only the rest of What/If could keep pace with her.
When Zellweger's not on screen, What/If is a mostly empty, broad strokes neo-noir soap, frothy and forgettable. When she appears, it's still all of those things-- but dear lord, please pass the popcorn.
A show in which Renée Zellweger is biting off chunks of scenery, shredding them with her dainty white teeth, and digesting them on camera while everyone else sits limply in her shadow.
There is a prestige drama version of the show in which Anne's long game is actually surprising, and there is a guilty-pleasure version of the show that burns through twice the plot in half the time.