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The series is about a young political man in London, where this young man is having a harsh experience in his life. Now, the naive young politician becomes a suspect when his aid and lover are killed in a serious accident that reflects the path of things for many. While investigating the case, a political investigative journalist and his team, discloses a government conspiracy
There's Paul Abbott's slick script, adroitly linking the mysterious, seemingly random murders of a purse snatcher and a political researcher... And there's David Yates' adrenalized direction.
This is television at its best, taking full advantage of its length without introducing a speck of fat... and offering a vision of the truth as an endless unfolding of character and power.
State of Play spirals so rapidly and with such fascinating writing and acting that episodes conclude in a frustrating rush, the sure sign you're onto something uncommonly good.
The real star of the show in the newsroom is Nighy, as newsroom editor Cameron Foster. This role feels tailor made for Nighy's talents, requiring smarts, sarcasm, and just a little bit of oil.
It is at once harrowing and funny and involves friendship and betrayal, love and adultery, government conspiracies and personal jealousy and the overlapping business of the police and the press.
You may as well try and make heroes of a bunch of City lawyers than make a journalist the moral centre of a drama... It shouldn't be good, really. Except, it is. In fact, it's bloody magic.
The characters all have a pungent psychological edge. Abbott has a knack of finding what is unexpectedly interesting in real people's lives and putting it into his scripts.