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In this series, the events seem dramatic and perhaps carry more wonderful comics, where Encouraged by her new therapy, Marnie dips her toe into the murky waters of trusting someone with her secrets by confiding in her old friend Helen. She then brings her two worlds together in the form of a big dinner party.
The OCD takes something of a backseat in what starts, at least, as more conventional messed-up-girl-moves-to-the-big-city-to-find-herself drama, but if you liked all the other stuff like this, you'll like this too.
Pure deals in extremes, but it is for anyone who at one time or another hasn't felt in control of their brain, and has experienced the awful fear, demoralisation, despair and loneliness that comes with it.
In the wrong clammy hands, Pure could be an exploitative horror show, yet instead of a grubby lurk around the runnels of somebody's XXX-rated fantasies, it feels fresh, funny and deeply empathetic.
There are small tragedies and farcical scenarios aplenty, but they all add up to a funny, frank and non-exploitative portrayal of an inner world that's permanently on high alert.
Part of a growing canon of struggling-urban-millennial comedies, Pure is a warm-hearted but unsentimental portrait of a 24 year old trying to overcome her fears of what kind of person she might be.