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In this series, we live a drama of a different kind in which the scenes that take us into the world of pleasure. The series begins where Jay can not give up the story that has been shattered by all those years and is still convinced that George Hoddle (Jefferson Mays) is more than people think. On the other hand, Faona arrives in Los Angeles and is in desperate need of tracing her family, which includes mysterious George Hoddle.
There's no denying the spellbindingly ominous mood cast over six episodes as Night plunges its protagonists into a sordid subculture of sex cults and hip "happenings" that reveal the more tarnished side of Tinseltown.
You'll hate yourself for enjoying its seedy dark universe inspired by infamy, a place where you can get yourself killed for insulting someone's paintings. The fabulous avante garde score is, dare I say it, killer. Buckle up.
Pacing can be frustrating -- this mini would be a lot more effective if it were cut to four hours -- but the surprises and twists in the final two episodes make it more than worthy of your investment.
May be a little too formulaic to be TV's next limited series with maximum impact, but it's well positioned to deliver the kind of entertainment that overly serious fare often overlooks.
Although the Black Dahlia case is still cold, there's no denying that the family connections that I Am the Night has been loosely based on are fascinating, yet creepy as hell.