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Jamaica, 1973. When a young boy witnesses his brother’s assassination, a powerful Don gives him a home. But 10 years later, when he’s sent to London, his past catches up to him.
"Yardie" has the right look, the right sound and the right moves to play with the bigger boys of its genre; like its young, scrappy but naive hero, however, there's not quite enough power behind its posturing.
This is a film about the pressures and demands of making another country your own. Too often, however, the viewer will feel as befuddled as the protagonist.
Obviously Idris Elba is very well-versed in the music and the style and the cultures that this story is dealing with and he evokes them in such a way that you feel that you are really there.
You'd never accuse Yardie...of being a particularly original yarn, but its attention to style, music and language...lends it enough verve to stand on its own.
This messy, disjointed film marks the directorial debut of Idris Elba and it gives me little pleasure to state that he should stick to working in front of the camera instead of behind it.
As it stands, Yardie seldom amounts to anything more than a collection of vaguely related scenes, simultaneously both too muddled and too straightforward to have any resonance beyond the moment at hand.
Throughout the messy experience of "Yardie," [Idris] Elba's interest in storytelling gets ahead of his lacking visual instincts. Though I'm curious to see what story he tells next, Elba proves to not yet have an original voice behind the camera.