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Set in Los Angeles, We the Party tells the story of five high-school friends who deal with romance, money, prom, college, sex, bullies, Facebook, fitting in, standing out, and finding themselves.
Joining two overweight characters in a relationship just to make a joke about them enjoying an all-you-can-eat buffet hardly qualifies as progressive, intellectual comedy.
I have to admit there is something kind of disarming about its corny earnestness. Van Peebles clearly invested himself in the material, and damn it all if he wasn't going to wring that screenplay for all it was worth.
Initially promising teen comedy-drama, featuring African-American kids not in the ghetto for once, soon undermines itself in a welter of clichés and empty gloss.
[VIDEO] There are a few moments during writer/director Mario Van Peebles's overly didactic high school drama when you can almost glimpse the good film buried beneath all the artifice.
While We the Party can be insensitive, or blind, to the misogyny and homophobia of the general culture (the token gay teen is a finger-snapping, head-bobbing fashionista), it takes the issues of race and class quite seriously.
Unfolding like a 21st Century update of African-American coming-of-age classics House Party (1990) and Love Jones (1997), We the Party might very well come to serve as the seminal adventure capturing the angst and aspirations of the Millennial Generation.
April 01, 2012
Washington Post
With the raunch of "American Pie" and the heart of an after-school special, the comedy turns out to be a lot less than the sum of its parts.
Every time it dabbles in real-world teen issues like sex and drugs, it returns to a fanciful high school where kids quote Nietzsche and play acoustic guitar on lunch breaks.