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Following the disappearance of the girl who was swimming in the swimming pool of his apartment, Sam, 33, began to feel stunned after she disappeared. Sam lives a journey of mystery in search of that girl named Sarah. Everywhere in Los Angeles, Sam tries to do a thorough search to find out the mystery of her mysterious disappearance. It is the most mysterious journey towards a world of scandal and intrigue and perhaps there are other secrets to be revealed by Sam.
Mitchell is taking a big swing with his third feature, trying something not just new but also more unconventional, ambitious, and even potentially off-putting.
The pretense of muddling nonsense with intellectual rigor means that it will forever be impossible to consider Under the Silver Lake as anything other than an exercise in smugness from a creative mind that has only the barest grasp on the theses it posits
Under the Silver Lake never finds a reason for being as weird as it is, making for a confusing and frustrating experience despite its hypnotic visuals and great score.
Pretty soon the commentary on how Hollywood uses women as decoration outweighs the fact that Mitchell's just repeating the cycle - albeit with better-than-average outfits.
Mitchell has interesting ideas, and his actors seem to be having fun, but that's not enough when the film itself lacks atmosphere, or tension, or emotional engagement.
It's the kind of raggedy-ass thriller that only gets made when a young filmmaker, emboldened by success, moves past virtues of concision, hoping to summon the full, meandering spell of a paranoid dream. Don't hold it against him.