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Amidst the terrors of the post-revolution, war torn Tehran of the 1980s, Shideh elects to stay in the city with her daughter a mysterious. But then evil begins to haunt their home, attempting to possess her daughter. Shideh has no choice but to confront these forces if she is to save her daughter and herself.
Anvari makes great use of this highly specific time and setting -- the air raids are always unnerving and one sequence in which Shideh runs into the empty streets of Tehran in a panic is just terrific.