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The film retells of the Pearl Harbor attack details everything in the days that led up to that tragic moment in American history as well as the series of American blunders that allowed it to happen.
The climax, in particular, manages to be more than just a shoot-out, with Fleischer's intelligent direction generating a real feeling of chaos and apocalypse.
Prior to "Tora!" movies showing the attack were jingoistic propaganda; afterwards, the attack was an excuse to indulge in Hollywood's fascination with American self-loathing.
Directors Richard Fleischer, Kinji Fukasaku, and Toshio Masuda have infused Tora! Tora! Tora! with an excessively dry and deliberate pace that results in an almost interminable first hour...
Strictly for history buffs only, because it presents the story in the most dry way possible. It's like a History Channel re-enactment with all of the right aircraft carriers and airplanes.
Both overall director Richard Fleischer and his Japanese counterparts do a dull job, and the monotonously low-key tone of scene after scene almost suggests that each was filmed without a sense of ultimate slotting in the finished form.
As history, it seems a fairly accurate account of what happened, although it never much bothers its head about why. As film art, it is nothing less than a $25-million irrelevancy.
May 09, 2005
Chicago Sun-Times
Tora! Tora! Tora! is one of the deadest, dullest blockbusters ever made.