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Karol married and moved to Paris to live Dominique. However, their marriage did not last long. After divorce, Karol is forced to leave home and lives around the station. He returns to Poland but his heart can not forget Dominique.Let's follow him in this interesting movie
The entertaining second seg of Krzysztof Kieslowski's Three Colors trilogy is involving, bittersweet and droll.
March 26, 2009
Seanax.com
[T]his is the comedy of the trilogy, not so much a black comedy as a wicked satire in the cold white light of Polish winter, which (as you would expect) informs the color palette of this film.
As probing and meaningful as any arthouse hit of the '90s, lacking only the drama and mystical qualities of Blue and Red to overtly flag itself as such.
Karol Karol embodies his homeland, going for broke--in criminal fashion, if necessary--to stake its claim as a player in the European landscape. [Blu-ray]
Kieslowski's film is one of the great film comedies. Sure, it's the light relief of the Three Colours trilogy, but its sharp observations about human nature are every bit as telling.
Kieslowski, who so keenly satirized the crippling excesses of communism in his earlier work, unflinchingly has a go at training-wheels capitalism, but not without affection for the thawing tundra of his beleaguered mother country.
he love that figures centrally in White appears more as a postulate than as a realized fact. To achieve something more durable and persuasive, real characters are required, not allegorical stick figures.
It's often cruel, of course, and cool as an ice-pick, but it's still endowed with enough unsentimental humanity to end with a touching, lyrical admission of the power of love. Essential viewing.
How could the creator of Blue, the story of a woman who grieves by moping around Paris in a chichi haircut, possibly have followed it with such a rich, light-handed marvel?