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In an appropriate atmosphere and sophisticated environment, scientists are searching for and discovering a strange culture that has emerged in a distant camp. These scholars are required to provide a set of evidence, evidence and explorations on that issue, and to report immediately on the findings of their sponsor.
The final sequence is not only surprisingly satisfying, but offers us an uncomfortable moment that resembles closure, while avoiding an overly clean denouement. Unfortunately, the effectiveness of this ending highlights the weakness that preceded it.
[The film] pitches its tent in a disorienting space between nature and cult(ure), as Sean Kirby's initially lyrical camerawork takes on an increasingly hallucinatory urgency, and Keith falls prey to paranoia delusion.
They Remain, the first filmed take on [Laird Barron's] work, manages to replicate a gratifying amount of that distinctive vibe, infusing the story with large doses of free-form agoraphobic anxiety. It lingers.
While it runs a bit too long, the direction is impeccable, the acting brilliant, and the ending pays off the slow build with something explosive yet heady.
... manages some intermittent tension, bolstered by a pair of strong performances, yet there are too many sequences where nothing of consequence happens.
With little in the way of plot (the source material is a short story), this sci-fi-tinged horror film is carried solely by the actors and atmosphere, and in the case of the former, it mostly succeeds.
The movie's essential ingredients are simply two good actors, a lab compound, surveillance cameras and an eerie forest that may be driving the characters mad.