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To have one's pulse race when turning the pages of "Ligeia" - or, indeed, while watching Corman's film - isn't merely to fall into Poe's literary trap, it's to somehow be in communion with the dead author.
...visually sumptuous as the fetid ambience of English ruins such as Stonehenge and a 900-year-old abbey fills every widescreen inch.... Price [is] the romantic lead and the (admirably restrained) vessel of necrophilic madness.