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When Sally hears that her grandfather's grave may have been vandalized, she and her paraplegic brother, Franklin, set out with their friends to investigate. There they are attacked by a family of cannibalistic psychopaths.
Morally retrograde it may be, but then so are nightmares. The point is that this one, though often crude and raw, really leads the imagination. What also works in its favour is that it doesn't pretend to do anything more than scare the pants off you.
Along with Night of the Living Dead and The Last House on the Left, it ushered in the modern age of horror in the 1970s. It is one of the great transgressive American horrors and is still the film upon which Hooper's reputation is built.
This abattoir of a movie boasts sledgehammers, meathooks and chainsaws, and the result, though not especially visceral, is noisy, relentless, and about as subtle as having your leg sawed off without anaesthetic.