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In 19th-century Baltimore, Detective Emmett Fields makes a horrifying discovery: The murders of a mother and daughter resemble a fictional crime described in a story by Edgar Allan Poe. Now he must join forces with Poe to stop him from making his stories a reality.
It lingers intolerably on some inessential scenes, rushes through others, and fails to provide any motivation either for Poe's devoted (albeit fictional) love, or the film's archvillain.
Even though this film has more than its share of dark, gruesome elements, there is also enough of a sense of playfulness in it to help make it entertaining.
The subject matter screams out for cleverness and depth, the sort of mind-bending twists and satisfying darkness that Poe himself would love. It finds them only in small doses.