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(As Willis figures it, the bankers -- all covered by insurance -- are merely thieves themselves anyway.) A sweetly contemplative film, The Newton Boys is almost an anti-crime caper -- no one gets killed, and the violence which does occasionally erupt is handled with a light comic touch.
A handsome production that nicely evokes the 1920s and a likeable cast headed by McConaughey can't compensate for a Western-gangster film that's too diffuse and lacks a discernibel POV to be dramatically engaging.
There's little nuance in the straightforward, chronological way the tale is told--it's hard to point to a scene that's worth discussing after you've left the theatre.
As portrayed by Matthew McConaughey in his first fully satisfying screen performance, Willis Newton regards his three younger brothers and their associates as social rectifiers who take money only from the real thieves: bankers and their directors.
Linklater seems to understand the root of McConaughey's appeal stems from his wild side. Casting McConaughey as someone noble and high-minded... is like hiring Madonna to play a housewife.