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In an exciting story about a different world of real drama. This story tells about Earl Stone who is a veteran of the Korean War. After Earl arrives at the age of eighty-three, he faces a financial ruin, scattered about his family and wants to get money. Earl begins to think for a solution, deciding to transfer cocaine from El Paso to Chicago. Now he works as a drug dealer, trying to restore him to his post at FW and paying for his daughter's wedding, but he is still facing a real war with the Anti-Drug Administration and the cartel.
Once you get past the outrageous nature of its true-life premise, this crime drama stumbles in its attempt to confront a deeper moral complexity, instead opting for a predictable redemption saga.
The story at its core deals with matters that have long been Mr. Eastwood's professional, and clearly personal, concern... When the old man finally mans up to his failings, the movie succeeds with special poignancy.
There's nothing heroic about Earl, but in Eastwood's 38th film as a director, he makes the character a felonious centerpiece as likable as anyone could ever imagine.
Tonally, this thing is a disaster, and you can only conclude that its maker, capable of sharp ironies as recently as 2014's American Sniper, didn't fully digest the material.