Due to a high volume of active users and service overload, we had to decrease the quality of video streaming. Premium users remains with the highest video quality available. Sorry for the inconvinience it may cause. Donate to keep project running.
Do you have a video playback issues?
Please disable AdBlocker in your browser for our website.
Writer Don Birnam (Ray Milland) is on the wagon. Sober for only a few days, Don is supposed to be spending the weekend with his brother, Wick (Phillip Terry), but, eager for a drink, Don convinces his girlfriend (Jane Wyman) to take Wick to a show. Don, meanwhile, heads to his local bar and misses the train out of town. After recounting to the bartender (Howard da Silva) how he developed a drinking problem, Don goes on a weekend-long bender that just might prove to be his last.
Although ultimately less bleak than Charles Jackson's autobiographical novel, the film is uncompromising in its depiction of the lies, self-deception and degradation that alcoholism leads to.
Director Billy Wilder's technique of photographing Third Avenue in the grey morning sunlight with a concealed camera to keep the crowds from being self-conscious gives this sequence the shock of reality.
Despite the grim subject matter, there are glimpses of Wilder's characteristic mordant wit, and the director's location work in New York's Third Avenue district is exemplary. Casting the hitherto bland Milland was a stroke of genius.
What makes the film so gripping is the brilliance with which Wilder uses John F Seitz's camerawork to range from an unvarnished portrait of New York brutally stripped of all glamour.
February 09, 2006
New York Daily News
Under Wilder's imaginative direction, Milland has been able to convey just what an uncontrollable craving for liquor does to a man's mind, his body and soul.