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In the midst of her turmoil, a pair of deranged serial killers begin leaving bored young woman in a sleepy community called Spearfish photos of their mutilated victims. Are they real or staged? The culprit is either a serial killer or some creep with a sick sense of humour.
The makers of the grim, film-school-sloppy horror-thriller The Girl in the Photographs never flesh out their provocative thesis: that photography is a predatory act that allows photographers to control their subjects.