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In a dramatic and baffling atmosphere, this film pursues a family that is by all accounts impeccable. The son is Tyler who is a volunteer in the neighborhood church. His dad is Don. The main thing that makes their town feels fear is that a progression of unsolved homicides by a strange executioner named Clovehitch. At the point when Tyler discovers a few pictures with his dad, he starts to trust that his nearest individual is the practitioner of all propositions murders.
As good as Plummer and McDermott are here, [writer Christopher D. Ford] ultimately writes himself into a corner that requires actions in the final act that don't ring true.
Offers an intriguing perspective on the darker side of American values, but lacks the conviction to entirely expose the cultural contradictions that often enable compulsive murderers.
Skiles's film doesn't care so much if you think you know how it ends, even if you're right. It's all about twisting the knife in the process of confirming those fears.
McDermott is admirably unsettling, and Luke McCoubrey's artfully sterile cinematography adds an air of suffocating wholesomeness that can make you squirm.