Due to a high volume of active users and service overload, we had to decrease the quality of video streaming. Premium users remains with the highest video quality available. Sorry for the inconvinience it may cause. Donate to keep project running.
Do you have a video playback issues?
Please disable AdBlocker in your browser for our website.
This movie follows the struggles of Fiona Maye, a judge at the family law court, who because of her work, is about to lose her marriage, but she left everything and takes the case of Adam, a 17 year old boy, who suffers from Leukemia and in a big need to blood transfusion, but according his parents religious beliefs, he can not get recovered.
What makes it not just a feature film but a feature film worth catching (if you're in a cerebral frame of mind) is the quality of Thompson's performance.
The pale, sharp-featured Whitehead brings an appropriately feverish intensity to Adam, who looks less like a typical 21st-century teenager than Lord Byron with a backpack.
he Children Act works strongest as a tight character study of the central female figure, elevated to higher ground by the astonishing lead performance.
File this under missed opportunity. More often than not, it feels like a pretentious episode of Holby City. Or a shallow take on John Huston's The Dead.
The Children Act can feel sluggish and melodramatic, weighed down with the use of superfluous flashbacks, letter-reading voice-overs, and the repeated use of stodgy Bach passages. Intelligent, but airless.
Like so many of the movies that stem from McEwan's novels, "The Children Act" is a soulful and sophisticated adult drama that peers into the void between the beauty of ideals and the cost of living by them.
If Emma Thompson can't make this drama about a family-court judge conflicted over her own decisions and the precarious state of her own family into something interesting and meaningful, then no one can. And she can't.