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Blind traveler Zatoichi (Beat Takeshi) is a master swordsman and a masseur with a fondness for gambling on dice games. When coming to a town in control of warring gangs, bunking with a farming family, he meets two women with their own agenda.
Three-frame cuts of the action from multiple camera angles, hose-spurted blood and superimposed wounds do what they can in their primitive way to get you past the problem of improbability.
Violent and bloody, carefully choreographed and filled with dry humor, Takeshi Kitano's modern take on the classic Japanese character is a unique vision that's told with confidence.
This isn't arty violence, just violence, and pretty pedestrian for a samurai picture.
August 27, 2004
Associated Press
The Blind Swordsman: Zatoichi begins life as a straight-up samurai movie, evolves into a slapstick comedy and ends as a rousing, tap-dancing musical.
May 27, 2011
Time Out
However improbably, Kitano pulls it off quite gloriously. Admittedly, this isn't one of his most idiosyncratic, innovative or, indeed, satisfying works, but it's without doubt fast, funny, fabulous to behold.