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All fifteen-year-old Thomas Mollison wants is a normal adolescence. And when his pregnant mother has to put in him in charge of his autistic older brother Charlie, Thomas faces his biggest challenge yet.
The film's vision is neither a grim wallow nor falsely cheerful. It's compassionate but unblinking, and in the end we can't help but admire the genuine strength of how its characters accept their special challenge.
It's a well-meaning film, marked by Luke Ford's sensitive portrayal of a disabled character. But the main character is bland, imparting the same vibe on the rest of the film.
August 14, 2009
Austin Chronicle
A film that mostly skirts artifice and sentimentality for a truer portrait of a family battered and bruised but nowhere near broken.
There are wrenching scenes that are brutally stark, yet there remains a steady sense of calm that is touching and sensitive without ever turning sentimental.
Thomas and Jackie's friendship, blossoming into a chaste romance, is the dramatic engine that powers The Black Balloon, but it's far from the most important relationship in the film.
At its sharpest Elissa Down's feature directorial debut is guided by intense, rough-edged emotional swings that feel authentically alive, even when the script settles for tidiness.
April 10, 2009
Chicago Sun-Times
The Black Balloon establishes this family with a delicate mixture of tenderness and pain.