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Walter Black, the head of a failing toy company, is deeply depressed. His marriage to Meredith is broken and his oldest son, Porter, hates him. Walter then adopts a beaver hand-puppet as his sole means of communicating.
For a film about the real problem of mental illness, it never feels authentic. Depression is not something neatly tied up. If this is meant as an allegory, it's vague and unconvincing.
The acting throughout -- Foster, Lawrence, Yelchin -- is superb, and this may well be Gibson's finest performance, just as it's Foster's most balanced job of directing.