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While the world lives in chaos and painful fate suffered by everyone, but that girl seems mysterious amid all this chaos experienced by individuals and perhaps will then be clear a set of evidence of bloody massacres never seen before by the world.
The whole film is suffused with dream-like sadness and despair, which Sion Sono captures in wide shots of forests and snowy landscapes that are interspersed with the action.
Taking only the bare bones of its story from the book that inspired it, this film is as much a comment on cinema - and on other forms of contemporary art - as it is an experience in its own right, but it is no less gripping for that.
Tag has enjoyed a healthy run on the midnight festival circuit, but from the outset its sleazy tone is off-putting even by late-night horror standards.