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In 1920s, Australian western where the racism reaches its' high, a murder of a white man was done by an old farmer who was trying to defends himself. But now, this farmer is a murderer who committed a serious crime, people have to run after him to hunt him down.
As harshly beautiful as its landscape, this is a stark corrective to the American western it echoes, and a pragmatic confrontation with the deep, tenacious roots of modern racism.
While Sweet Country snakes along to an inevitable outcome, Thornton retains a sharp control over the movie's ravishing visuals, assembling them with a rhythmic quality that transcends any specific time and place.
Altogether, Thornton's film is a moody and dark meditation -- a grim portrait of an Old West that will be both familiar and foreign to American audiences.