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In 1979 Ohio, several youngsters are making a zombie movie with a Super-8 camera. Accidentally they witness a train crash and investigate subsequent unexplained events in their small town.
While it may not achieve the level of pop culture canonization as the Spielberg films it invokes, Super 8 should inspire many to use their camera-phones for something more creative than a profile pic.
This Spielbergian misstep by J. J. Abrams attempts to be the emotional coming-of-age equivalent of Stand by Me but instead winds up as a cacophonous mishmash of Goonies and War of the Worlds.
Spielberg and Abrams are the unwitting targets of their own irony.
June 27, 2011
indieWire
If you're wondering what's missing from so many big-budget, effects-driven Hollywood movies, the answer lies in J.J. Abrams' Super 8: heart and passion. What's happening onscreen really matters to...