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Cassius Green will find himself in an appalling world after discovering another area to play and money. Cassius began to work in telemarketing but turned into a successful person even as his colleagues formed a union to improve their miserable jobs after he found that his paid salary shattered his morale and was immaterial for him.
This bold new film not only shatters comedy's cold streak, but also serves as a powerful reminder of the vitality of the genre as both social commentary and shared experience.
Soon enough the logic of maximal profit infiltrates every crevice of human life, including the human body. To say more is to spoil the surprise-and the last third of the movie is a wild ride.
Telemarketers as targets from which satire flows eternal were spigotted about the same time as mall cops, and that's not all this jammed-scattergun approach to comedy has in common with the terminally dopey Paul Blart.
Sorry To Bother You [is] doubly exciting: it's conscious of what it achieves in its absurdity, just as much as it's conscious of the dangers of late-stage capitalism.
[The] critique, ultimately, is a moral reversal, one that has less to do with making the white man a stereotype than with giving the black one a sense of self.