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If you're a Hathaway fan, this will be worth your time; she's in every scene, and builds a convincingly tense relationship with screen mom Mary Steenburgen. But if you're looking for the next Once, well, this isn't it.
Despite the delicate shadings Hathaway brings to the role, Song One moves inexorably from wan to wearying.
January 29, 2015
RogerEbert.com
In her feature debut, writer/director Kate Barker-Froyland tends to tiptoe away from the dramatic high notes that audiences often crave and comes up a stanza or two short from a fulfilling resolution.
The film, like the world it's part of, remains just a little too precious, a little too self-involved, a little too insular. Instead of singing out, directly to us, it hums its little tune only to itself.