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In an attempt to end the war held between drugs dealers, who cause a huge mess in America, as they kill a lot of innocence, but things come to climax when cartels try to help the Islamic terrorists to escape across the borders, the government asks Matt Graver, a federal agent, to solve the matter by violence, so he calls Alejandro to compose a team.
Sicario 2 is far more complex. It shows the effect on children, the moral dilemma that "the good guys" ... and it does not come off as popcorn entertainment, but a disturbing exploration.
As if in imitation of the ruthless Mexican drug cartel its heroes go after, director Stefano Sollima's sequel decapitates, disembowels, and castrates Denis Villeneuve's beautiful, tough, and sad 2015 original.
Day of the Soldado is convoluted enough that you can almost enjoy it for Brolin and Del Toro's hypnotic acting and ignore the ever-present cloud of noxious politics, and there are times you wonder if it's xenophobic or just nihilistic.
Stefano Sollima's superior follow-up is a horror story posing as a tactical military thriller, all callous political maneuvering, senseless bloodshed and unachieved ambitions, set to bass-heavy braying and industrial noise.
At its mean, snakelike best, it's also a brutally assured commercial action picture, unburdened by the moral qualms or unnerving ambiguity of its predecessor.
There are moments that are quite tense, but as a whole, ideologically, I don't know what this movie is trying to say--I don't know that its that coherent.