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Carol White is a happy housewfife lives with her husband and step- son in the San Fernando Valley. However, she does have a nagging cough which makes her uncover allergy.
Moore, evidently under Haynes' instruction, gives a performance composed of near-total inertia. Her pale lifelessness -- meant to be frightening, I suppose -- is merely irritating.
You'd have to be cranky or blind to deny Haynes' artistry and vision. There's a dark power, a tremor that runs through the movie like the rumble of a secret dread.
In many ways, 'Safe' predicts both the insular nature of contemporary society, and the (counter-intuitive) disease of conformity that's synonymous with it.
Safe is brilliant for the way Haynes, with cinematographer Alex Nepomniaschy and composer Ed Tomney, blankets the mundane in the eerie tone of science fiction and horror.
For all its disquiet, Safe is truly about the terror of losing control-or, even more frightening, being made aware of the fact that we never had control to begin with.
In a summer of heavyweight action movies and flyweight romantic comedies, I don't think you'll find a more provocative little number than Safe, which creeps under your skin like a rash.