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A shady land deal leaves every schemer in the city determined to get rich or die trying. While the city's seasoned criminals vie for the cash, street-wise hustler One Two tries to play both sides of the fence...
As in other Ritchie films, RocknRolla attempts to depict a world of ever-expanding chaos. But the chaos is only in the way the story is told. The actual vision Ritchie offers is pedestrian and tame.
'RocknRolla' takes more left turns than imaginable. It might make sense in the mind of Guy Ritchie, but to the rest of the universe, I can not imagine the film will translate.
Ritchie, who shoots and cuts everything in RocknRolla like an ad for a particularly greasy brand of fragrance for men, delivers the beatings and killings in his trademark atmosphere of morally weightless flash.
October 31, 2008
Washington Post
Style is what RocknRolla is all about. And it has it in spades, from the cockney Pulp Fiction dialogue to the music-video editing of the rambling narrative.