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We live here a kind of heavy adventure, where a terrible scientific imagination lives by a teenage girl and her father as they travel to the distant moon, in order to obtain a great treasure. It may be very good where they both got a hold to harvest a large deposit of dodgy gems hidden deep in the distant moon forest. Things change quite as there is others traveling to the wild and moving quickly to a struggle to escape a great predicament. There seemed to be more strange things on that journey as she was forced to resist not only the other harsh jungle inhabitants, but with the reign of her greedy father who destroyed all ambitions.
The film balances genre thrills with a detailed depiction of prospecting on an alien world, created via a mix of practical locations (shot in a damp Northwestern forest) and some psychedelic digital backdrops.
Combining elements of The Defiant Ones (1958) and True Grit (whether Henry Hathaway's 1969 original or the Coen brothers' 2010 remake), Prospect may come with the interstellar trappings of sci-fi, but it has as much in common with a frontiers western
While many sci-fi films rely heavily on visual effects and the idiosyncrasies of foreign worlds, Prospect entertains viewers in the best way possible: with substance rather than grandeur.
create[s], through imagination and simple effects, a story about prospectors, claim jumpers, survival and greed in what used to be called a "space oater."
It's rare to see a sci-fi movie that genuinely has a true grit to it, a characteristic that bolsters its screenplay through its more underwhelming passages.