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In an energizing atmosphere, this film pursues a previous expert sequential executioner named Duncan Vizla. After numerous tasks, he chose to leave this work. Be that as it may, he is compelled to come back to the field again when his past boss imprints him as a liability to their association. Duncan enters the game again with a gathering of youthful executioners.
Polar benefits from Mikkelsen in the lead. He is just riveting and when he finally gears up for revenge the film steps into high gear and delivers grueling action and a surprise punch at the end.
Åkerlund actually shows each day's torture to really drive home the point. Too often Polar feels like being tied up and suffering through an immense cinematic experience.
Two-dimensional characters, questionable casting choices and a lacklustre script means that the two-hour runtime slogged from start to finish rather than feeling like an adrenaline-induced, blood-filled dream that it could have been.
Polar is an astonishingly flaccid film, a movie that prioritizes blood splatter and bouncing butts over literally all else, including plot and character development.
Polar is pure trash, but the generousness - and, in the final stretch, the poignancy - with which Mikkelsen approaches even the most lurid of the film's conceits at least pushes it toward the top of the garbage heap.